It's official—May
15, 2012, is the release date for A Tree of Bones, the third
and final Hexslinger Series instalment. As our blood-soaked gay porno
black magic horse opera trilogy reaches its intense conclusion,
meanwhile, I'm going to be counting down the days with various
supplemental goodies, starting today with the beginning of a
Hexslinger Alphabet Meme: Two letters per day, one concept per
letter. Without further ado, then...
A is for—Arcanistry
As A Tree of Bones begins,
Columbia University Doctor of Sciences Joachim Asbury—by now known
colloquially as “Doc Hex”—is widely considered America's
foremost expert in the relatively new field of Experimental
Arcanistry. He's attained this position through the invention of
Asbury's Manifold, a device which (in A Book of Tongues) finally gave
non-hexacious humans the means to both identify unexpressed hexes and
measure the power-fields of expressed ones by tracking the flow of
“what the Celestials call ch'i” through the body. From
there, the Manifold's applications have only widened:
Latest-generation models can be used to deflect hexes' magic, channel
it, or even momentarily suppress it, while Asbury's battlefield
researches have created an entire sub-class of collared hexes who
wrangle their own kind under Pinkerton Detective Agency supervision.
While there's no doubt that this sort of black science may seem like
the only logical weapon of choice when arrayed against the wild
chaos-power of demigods like Ixchel Rainbow and her Enemy,
however—plus the scarily organized “smaller” mages of Hex City
itself—even Asbury has to admit that the technological learning
curve has accelerated under pressure far past the point where he can
predict it anymore, let alone control it. Can a full-bore magic vs.
anti-magic Second Civil War be far behind?
B is for—Blood
Blood, bright-hot and flowery, is the
fuel Dread Lady Ixchel's Machine runs on, the coinage that New World
she wants to “bring on” will be paid for in. What's becoming
clearer, however, is that the mostly-American hexes she and Reverend Rook
have gathered around themselves to help Make It So are far less
enchanted with the basic principle of self-sacrifice than the Mexica
and Mayan flocks who once supported Ixchel's pantheon ever were. (Hell, even the Chinese and Shoshone ones don't like it much, for that matter.) As
Rook notes, Americans—however hexacious in nature—are universally
raised to expect to be paid for what they do and to keep what they've
earned. And while they're perfectly willing to spill blood to get
what they want—both their own, or that of anybody stupid enough get
in their way—they also have very specific ideas about what
constitutes the best use of that blood, once shed. Ixchel expects her
hungers, being god-sized, to trump theirs; Rook thinks she may be
fooling herself, though he isn't about to say that out loud. Not yet,
anyhow.
Tomorrow: C and D!
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