W is for—War
I'm no Harry Turtledove, so the minute
I realized that pretty much the entirety of A Tree of Bones
was going to take place during all full-on clash between Hex City and
the forces surrounding it (hexacious, as well as non-), I knew I was
at least partially boned. So I opted for both a flash-forward which
would skip a fair amount of build-up and establishment—a bit of an
HBO's Game of Thrones model which would jump my characters
right into the battle (or string of battles), ensuring I could
hit the ground running with my tools already assembled—and a
certain timeline compaction which would force me to keep bulling on
through, finishing things up with a spatter of plot twists and a
multi-part climax. While A Book of Tongues takes place over
roughly two years, folding back and forth through time throughout, A
Rope of Thorns takes place sequentially over roughly a month, and
A Tree's action is the
shortest yet—four days at the most, barring an epilogue.
X is for—Xenogenesis
In case you haven't noticed, “X”
words are pretty damn hard, both to find and to define. But since
we've already established that hexation has a genetic component
(which is how the Chinese maintain their breeding-for-hexation
program, one assumes, as well as the main reason it's generally
considered a bad idea for hexes to hook up with each other), and
because this one means “the
supposed generation of offspring completely and permanently different
from the parent”, I'm going to use it as my opportunity to talk
about the problem of hexacious kids, in general.
At
the start of A
Book of Tongues,
Doc Asbury tells Ed Morrow and a bunch of other agents that most
hexes “express” either at puberty (if female) or after suffering
life-threatening injuries (if male). So you might think that there
are very few hexes who express as children...except, of course, for
the fact that our story is set during a time-perid when infant
mortality was crazily high. One can't help but think that there must
be a fair portion of people who express as children, or even as
infants. Most of them probably don't make it to adulthood, because
either they're killed by the non-hexacious around them once their
power is recognized, or because other—older—hexes suck them dry,
sometimes even their own parents, sometimes without even knowing
they're doing it. Mrs Followell admits as much, in her brief
back-story.
With
these possibilities always looming, it makes sense that much more of
A
Tree
than you might think is predicated on the idea that the Hex City Oath
may make it possible for hexacious and non-hexacious parents of
hex-babies alike to deal with their dangerously unpredctable
offspring in a slightly more humane way—to bond together in a
literal way, facing the future as a unit, nurturing, tutoring and
supporting each other. And given that (as Asbury also observes) much
of the general misery hexes have inflicted in the past springs from
their sense of themselves as spiritual lepers feared and hated
wherever they go, forever aloooone, this may bode well for human/hex
relations in future...once this current war is put to bed, that is.
Tomorrow:
Our alphabetized tour of the Hexslinger-'verse concludes, with Y and
Z!
Thank you for posting so much Hexslinger trivia! It's fun getting so much behind the scenes info.
ReplyDeleteExtra kudos for your X word :) I was wondering if it'd be an Aztec god, maybe x-rated haha, or some long stretch like "x-ray," "xylophone," or really push it with xtra or xtreme.
Sorry it took so long for me to see this! Well, there's always Xilonen or Xipe Totec, or Xochiquetzal the Flower Princess, goddess of love and beauty and raging sexuality; Aliette de Bodard's done some pretty amazing stuff with her. But In terms of the themes of Tree, this just happened to fit best.;)
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